Just Another Day Feedback

Labeled Cuts: https://drive.google.com/file/d/14uu29UN0fYYtUNqPsIMRZGyKaCQTm1k7/view?usp=sharing

(Youtube would not let me upload at all so had to use google drive)

Summary

  • My film is about the boring daily life of a student in quarantine.

Logline

  • A kid goes throughout her daily life during quarantine.

Intent / Goals

  • FOR YOU: My goal was to relearn some editing methods I forgot and apply them to my work.
  • FOR THE PROJECT: I wanted the film to feel more disconnected and abnormal, which is why I made it silent.

Research

  • What established person/people did you research to better prepare you for your role? Example: editor and sound designer Walter Murch
  • What about them was interesting, compelling, and qualified them to be studied by you?

Questions

  1. How well did the silence work?
  2. Were there any parts where I should’ve added sound?

Peer Feedback

It was relatable.

Evidence of Editing: The Fisher King

In this clip, there is a lot of cuts, close-ups, wide shots, etc, etc. There is a lot to this clip with how the editing is used. The wide shots looking down at our protagonist, the constant cuts giving a chaotic feel, as well as the silent shots of the flashback giving this sense of dread and hopelessness. These shots explain the backstory of this character and explain how exactly his past has affected him. The way everything comes together is incredibly chaotic. It’s meant to be a sprawling mess to confuse the viewer to really give them the feeling of what the character is dealing with. All of the shots are focused mainly in the middle keeping the attention of the audience between each cut. The feel of the environment makes sense, especially with how at times the character has to move around certain obstacles, like the ambulance. This scene doesn’t give much breathing room until the end, and even then it’s somewhat hard to fully digest because of everything that is happening.

60 Second Film: Life of Leaf

https://drive.google.com/file/d/1H5_MbvZpaZ_LSJethRfxoJnz808Zvo6O/view?usp=sharing

Summary

Logline: A leaf has to figure out who and what it is in a new environment.

Goal: In all honesty my goal is to confuse people on what this amalgamation is.

Summary: A leaf is having an existential crisis while looking at its surroundings and then gets stomped on by some random kid, ending the short film.

Feedback

“The shot of the leaf is well-framed, like it’s at the exact center of the screen where it is right now.”

“liked the tone you used for your voice, and the ending was great. My new favorite line is “I am leaf” feels like a rip off of ‘I am groot’ “

“I liked the variety of closeup shots and the subversion of the idea that it wasn’t related to the main character”

Film Analysis: Pan’s Labyrinth

Film Analysis

Film TitlePan’s Labyrinth
Year2006
DirectorGuillermo del Toro
CountrySpain
GenreFantasy
If you could work on this film (change it), what would you change and why?

Film information can be found at imdb.com

As you view films, consider how the cuts, camera angles, shots, and movement work to create particular meanings. Think about how they establish space, privilege certain characters, suggest relationships, and emphasize themes. In addition to shot distances, angles, editing, and camera movement, note details of the narrative, setting, characters, lighting, props, costume, tone, and sound.

Ask yourself the following questions:

TOPICYOUR NOTES
1. Who is the protagonist?Ofelia
2. Who is the antagonist?Captain Vidal
3. What is the conflict?Ofelia is trying to escape from her stepdad while the rebels struggle to deal with the main force.
4. What is the theme or central, unifying concept? (summarize in one or two words)Innocence
5. How is the story told (linear, non-linear, with flashbacksflash-forwards, at regular intervals)Linear
6. What “happens” in the plot (Brief description)?During a civil war in Spain, a young girl deals with magic while a plot unfolds involving the rebels and the military. As it goes along Ofelia continues to explore the magical side of stuff she discovered while a spy and the doctor help the rebellion. Eventually, Ofelia’s mother gives birth and dies during it. She attempts to escape with her younger brother but is stopped and killed at the end, right before the rebels win against the forces and kill the leader.
7. How does the film influence particular reactions on the part of viewers (sound, editing,
characterization, camera movement, etc.)? Why does the film encourage such
reactions?
It does it a lot with it’s dialogue and shot composition. The cruelty or brutality of what is happening is enough to solicit a reaction.
8. Is the setting realistic or stylized? What atmosphere does the setting suggest? Do particular objects or settings serve symbolic functions?It is very realistic. The sets and grim style of the background contributed to this.
9. How are the characters costumed and made-up? What does their clothing or makeup reveal about their social standing, ethnicity, nationality, gender, or age? How do costume and makeup convey character?It reveals a lot about the setting.
10. How does the lighting design shape our perception of character, space, or mood?It sets a very grim and dark mood.
11. How do camera angles and camera movements shape our view of characters or spaces? What do you see cinematically?The camera angles really don’t do anything significant in this movie.
12. What is the music’s purpose in the film? How does it direct our attention within the image? How does it shape our interpretation of the image? What stands out about the music?It just gives a sense of wonder or sets a somber tone when it needs to.
13. How might industrial, social, and economic factors have influenced the film? Describe how this film influences or connects to a culture?It talks about the war and what can happen during that.
14. Give an example of what a film critic had to say about this film. Use credible sources and cite sources.Example: “The Shawshank Redemption Movie Review (1994) | Roger Ebert.” All Content. N.p., n.d. Web. 24 June 2015.“The story is a compelling and deeply involving one, and the film is both beautiful, exciting, and sometimes horrifying. The creature effects are superbly handled.”
(Rotten Tomatoes user review)
15. Select one scene no longer than 5 minutes that represents well the whole film and shows relevant cinematic elements. Write a one-sentence description of the scene and record the time of the scene.Example: from 1:05:00 to 1:10:00.Explain why you chose this scene.7:50-9:16 
Shows the desperation of Ofelia trying to hold on to her innocence and disconnection from the war
16. In the selected scenewrite a sentence for each of the elements below to justify why this scene best represents the film:
a. Screenwriting:It establishes the connection and dynamics that are seen throughout the movie.
b. Sound Design:Sets up a wonderous yet somber tone.
c. Camera Movements/Angles:Doesn’t do much shot wise.
d. Light Setup:Doesn’t do much lighting wise.
e. Soundtrack/Score:The soundtrack is exaggerated and epic in a way. It provides a sense of awe towards what is happening. Or it provides a very saddening and somber tone.
18. What’s the socio-cultural context of this film?The civil war in Spain during WW2

This worksheet was developed with ideas from many IB Film teachers, thus should remain in the Creative Commons

Mr. Le Duc’s Film Analysis Resources

Story of Film – Episode 2 – The Hollywood Dream

Notes

  • Hollywood became an industry in the 1910s and ’20s
  • Mostly funded by bankers
  • Targeted towards lower class people
  • Filming was moved into giant warehouses
  • New lighting tricks were developed
  • The methods were copied and used throughout the world
  • Choreography is good when it has an idea to go off of
  • Chaplin included a lot of ideas and political stuff in his films
  • Chaplin was referenced in a lot of films later on
  • The studios were focused on having a happy ending to movies
  • Dreyer focused on the color white in his films a lot
  • Seriousness in films during this time wasn’t well-received

…And the First of its Rebels

The following material is from wikipedia

Film – Week 8 – Screenwriting

“Ali film script” by Zadi Diaz is licensed under CC BY-NC-SA 2.0

“You can’t fix a bad script after you start shooting. The problems on the page only get bigger as they move to the big screen.” – Howard Hawks

SUMMARY

I completed the practice room tutorials and am excited to learn more from this program.

PRACTICE ROOM (TUTORIALS)

CLASSROOM (THEORY & ANALYSIS)

Image from sneakonthelot.com/my-courses/

OUTSIDE (CREATIVITY & THE BRAIN)

STUDIO (FILMING)

WHAT I LEARNED and PROBLEMS I SOLVED

I enjoyed going over the structure of a story and learning some new things that I didn’t know previously.

WEEKLY ACTIVITY EVALUATION

Film – Week 13 – Changes

“The most honest form of filmmaking is to make a film for yourself.”

― Peter Jackson,  Link

SUMMARY

I focused on trying to keep up with my classes while organizing what I need to catch up on. I also have been setting up trello so I can better organize myself in the future.

PRACTICE ROOM (TUTORIALS)

Screenshot from sneakonthelot.com
Screenshot from sneakonthelot.com
  • Set a timer for 60 minutes in this ‘room’

CLASSROOM (THEORY & ANALYSIS)

Screenshot from The Story of Film Trailer on NetworkReleasing YouTube channel
  • Set a timer
  • Spend 75 minutes in this ‘room’
  • Watch the second episode of The Story of Film and take notes in a separate blog post

OUTSIDE (CREATIVITY, PRODUCTIVITY & THE BRAIN)

  • Set a timer
  • Spend 30 minutes in this ‘room’
Worksheet from bananatreelog.com

To deal with negative thoughts one way is to try and change how you look at them. It could be finding a way to work around that negative thing, a way to use it to improve yourself, or even remembering that not everything negative is permanent. There are many ways to deal with negative thoughts and it is important to find the one that works best for you.

WHAT I LEARNED and PROBLEMS I SOLVED

I learned more about the film making process and it’s history.

Film – Week 14 – Intro to Analysis

“Judy Garland, Hedy Lamarr and Lana Turner” by classic film scans is licensed under CC BY 2.0

“Analysis gave me great freedom of emotions and fantastic confidence. I felt I had served my time as a puppet.”

Hedy Lamarr – Read about 1930s actress Hedy Lamarr-inventor of cellphones, Wi-Fi and GPS

SUMMARY

This week I kept up with all my work after deciding to not stress over the stuff I need to catch up on and do them all during winter break when I have the time.

OUTSIDE (CREATIVITY, PRODUCTIVITY & THE BRAIN)

  • Set a timer
  • Spend 15 minutes in this ‘room’
Image from bananatreelog.com

I’m struggling to focus on my work and need to set a schedule for it and find a way to keep track of it. I will be spending my time slowly building into it so that but next semester I’ll be able to handle all the work I’m given without getting stressed.

THEATER

  • Watch a film, of your choice, for the analysis part of this blog post

WHAT I LEARNED and PROBLEMS I SOLVED

This week I learned more about my feelings towards film and how I want to be involved in that field. And during this I did solve some problems with how I focus on my work. On top of that I’ve gotten used to using my GTD in my day to day life.

WEEKLY ACTIVITY EVALUATION

The work this week was well paced and a lot easier to schedule around.

Film Analysis: Green Book

Film Title: Green BookGreen Book
Year: 2018
Director: Peter Farrelly
Country: USA
Genre: Biography

Film information can be found at imdb.com

As you view films, consider how the cuts, camera angles, shots, and movement work to create particular meanings. Think about how they establish space, privilege certain characters, suggest relationships, and emphasize themes. In addition to shot distances, angles, editing, and camera movement, note details of the narrative, setting, characters, lighting, props, costume, tone, and sound.

Ask yourself the following questions:

TOPICYOUR NOTES
1. Who is the protagonist?
2. Who is the antagonist?

The antagonist isn’t as much a person but a social normality during the time period. The racist views, policies, and people during this time period in those areas are the antagonistic force in the movie. They directly go against the protagonist and the themes revolving around him, causing the main conflict.
3. What is the conflict?

The conflict of this movie is Dr. Shirly coming to his own and discovering who he is and where he belongs. He feels he doesn’t belong with his racial peers because of his economic status, he doesn’t fit in with his economic class because of the amount of racism involved within that group.
4. What is the theme or central, unifying concept? (summarize in one or two words)
Discovering oneself.
5. How is the story told (linear, with flashbacks, flash-forwards, at regular intervals)

The story is told through a lens that slowly reveals more and more. It isn’t exactly linear because all the pieces for the story are there from the beginning, but not all of it is obvious until later on. Depending on who you are and the life you’ve lived you’ll learn the stuff in a different order or at a different pace than someone else, which is why I love it. I watched this movie the year it came out and I watched it again now. On each viewing I had a completely different outlook on what was happening and how everything unfolded.
6. What “happens” in the plot (Brief description)?

Tony and Dr. Shirly moved throughout the south so that Dr. Shirly could play at multiple venues. Along this trip Tony learns more and more about the racial injustice during this time period while Dr. Shirly discovers himself and slowly befriends Tony.
7. How does the film influence particular reactions on the part of viewers (sound, editing,
characterization, camera movement, etc.)?Why does the film encourage such
reactions?
The film aims for different reactions at different points. It tries to question the morals of as many people as possible while also delivering a clear moral that it wants to share. During each emotional scene it involves some aspect of life that could relate to someone and tries to cause them to react to it in a sympathetic way to emotionally hook the viewer.
8. Is the setting realistic or stylized?What atmosphere does the setting suggest?Do particular objects or settings serve symbolic functions?

The setting is very much realistic. It doesn’t get too technical or fancy with what is happening and instead allows scenes to be carried by the actors and the characters than the actual shot itself.
9. How are the characters costumed and made-up?What does their clothing or makeup reveal about their social standing, ethnicity, nationality, gender, or age?How do
costume and makeup convey character?

The characters clothing makeup very much emphasizes the characters social classes. We see with Dr. Shirly’s clothing that he’s extremely rich, which is a stark contrast with Tony’s very ragged and poor clothing.
10. How does the lighting design shape our perception of character, space, or mood?

The lighting is always lighter and more vibrant during scenes where the characters are bonding, and the lighting is always darker during the scenes where it is getting more serious and working in the commentary on racism.
11. How do camera angles and camera movements shape our view of characters or spaces?What do you see cinematically?

There aren’t too many special shots. The only ones I can think of are the ones where Dr. Shirly is playing the piano and how those shots emphasize how much playing the piano means to him.
12. What is the music’s purpose in the film?How does it direct our attention within the
image?How does it shape our interpretation of the image?What stands out about the music?

The music is mostly used to show the differences between economic classes and racial stereotypes. It uses the different styles of music that certain groups of people were stereotyped to listen to and mixed them up, which contributed to the themes quite a lot.
13. How might industrial, social, and economic factors have influenced the film?Describe how this film influences or connects to a culture?

The movie doesn’t focus on a culture, it focuses on 2 peoples relationship. It focuses on each of them learning the others world and helping each other along.
14. Give an example of what a film critic had to say about this filmUse credible sources and cite sourcesExample: “The Shawshank Redemption Movie Review (1994) | Roger Ebert.” All
Content. N.p., n.d. Web. 24 June 2015.
15. Select one scene no longer than 5 minutes that represents well the whole film and shows relevant cinematic elements.Write a one-sentence description of the scene and record the time of the scene. Example, from 1:05:00 to 1:10:00.Explain why you chose this scene.

(I don’t have access to the movie now so I can’t write the timestamp) The one scene is the one where the car breaks down next to a group of African-Americans working in the fields. Not a single word is said in this film, but the way they all stop and look at Dr. Shirly, a racial peer to them, but someone who has never experienced what they have.
16. In the selected scene: write a sentence for each of the elements below to justify why this scene best represents the film:
a. Screenwriting: The writing is absolutely wonderfully done and has the comedic and dramatic scenes all carry so much weight to them.
b. Sound Design: The sound design isn’t really significant, it’s well done but nothing special outside of the piano scenes.
c. Camera Movements/Angles: The camera is used in a much more bland way, it’s used well, but not in some incredible way.
d. Light Setup: The lighting is more realistic than anything else, but still well done.
e. Soundtrack/Score: The soundtrack mostly consists of the different songs played on the piano, and those are all really well done.
18. What’s the socio-cultural context of this film? It takes place in the mid 1900s during the segregation era.

This worksheet was developed with ideas from many IB Film teachers, thus should remain in the Creative Commons

Story of Film – Episode 1 – Birth of the Cinema

Notes

  • Japanese films are the ‘classic films”
  • Money doesn’t drive movies, ideas do
  • Edison is one of the people who helped make film
  • 2 brothers created the projector using the design of a sewing wheel
  • The brothers created the first movie theater
  • Film was originally for the working class and considered unsophisticated
  • Cutting of film footage was accidentally discovered
  • Close ups were created in 1900s
  • Widescreen cinema started with the filming of a boxing match
  • Editing was starting to be done in 1903 with cuts
  • Florence Lawrence became the first movie star
  • Small theaters called nickelodeons started in America
  • Famous filmmakers from Europe moved to Hollywood
  • Hollywood was a place where artists, especially film makers all came to in order to escape copyright of the projector wheel
  • First studio built in Hollywood in 1911
  • Around this time cinematography started to be seriously considered and worked with.
  • Film was started mostly by woman, immigrants, and Jews
  • Before 1995 most films were written primarily by woman
  • W.D Griffith used his films to promote racism